Gin Lane
ART + GLY
ANACHRONIC ART
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Art as the record of timelessness.

We believe art is a foundational part of the record of humanity — not only because it is an expression of its time and of each specific moment it traverses, but because it belongs to a substratum embedded more deeply within the human condition. It is also the expression of a time and space that no longer belong to the laws under which we live. This is why GIN LANE chooses these artists: because their work contains a substance that belongs to timelessness.

Connecting Argentine art with the international market. Gin Lane is an art gallery devoted to the anachronic, based in Southampton, New York, and driven by a unique alliance of Argentine, Swiss, and American directors. Our purpose is clear: to bring the talent and force of our artists' work to the heart of the international market, consolidating their value and global reach.

Before the Winter
About Us

Our expansion into the U.S. began by connecting our co-founder's residence in Southampton, NY, with the latent force of the Andes. From there, we consolidated our impact through exclusive exhibitions in Wilmington, VT, and in the Hamptons themselves. This trajectory is supported by milestones of great relevance, such as the donation of a public work exhibited at Lake Agawam Park by the local town hall, and our recent exhibition at DORCAM (Doral Contemporary Art Museum) in Doral, Miami, FL.

This cultural bridge rests on two conceptual pillars:

Northern Matter, Southern Soul

Faced with the logistical challenge of transporting Andean rock, our sculptor intervened native Vermont marble and granite. The result is monumental pieces sculpted in Wilmington that fuse the geology of the East Coast with the mysticism of the south.

The Perfect Circle

The proposal is completed with the incorporation of Andean artist Ariel Toba. His captivating work aligns with the search for the concepts of anachronism — the temporal exploration that fascinates both Gin Lane's direction and our collectors.

Tachuela

Stone Sculptor — Mendoza, Argentina · International

His work emerges from direct confrontation with stone — granite, basalt, sandstone — carved through a process that is as much about listening as it is about force. The result is sculpture that carries geological time within its surface: forms revealed rather than invented.

His practice spans monumental land interventions and intimate gallery pieces, exhibited in Argentina, Germany, Colombia, and Switzerland.

AG018-MA051
AG018-MA051 · Granite obelisk
Selected Works
Tachuela at work
Tachuela at work
Stone, dust, silence — Mendoza
AG017 Land intervention
AG017 — Land Intervention
Sandstone · Winery, Mendoza
Before the Winter
Before the Winter
Área Fundacional, Mendoza, Argentina
Atelier Colombia
Atelier W. Agudelo Torres
Envigado, Medellín, Colombia
Works
AG017-MA008
AG017 — MA008
Granite · Stone
Tall column composition
AG018-MA051
AG018 — MA051
Granite · Obelisk
Monumental form
Private Collection
Private Collection
Granite · Stone
Private commission
Showroom
Gin Lane Team at DORCAM
Present at the exhibition
Marcelo Llobel
Director, Doral Contemporary Art Museum
Natalia Onetti
Art Curator
Marcelo Gilardoni
Argentine Consul in Miami
Public unveiling · Lake Agawam Park, Southampton, NY
Individual Exhibitions
2025Stones. 210 Smith Rd, Wilmington, VT, USA.
Stones. 210 Toyslome Ln, Southampton, NY, USA.
2023Helena. Höherweg 271, Düsseldorf, Germany.
2018Statement. Mendoza Museum of Modern Art.
Alone with everyone. Image Gallery, Mendoza.
2017Patio de las Esculturas. Park Hyatt Mendoza.
Land Art, Uruguay and Brazil.
Chiaroscuro and first well sculpture. Tachuela Studio Abierto.
2015The Secrets of the Sun. Clos de los 7, Monteviejo Winery.
Minimal Stones. Sheraton Hotel, Mendoza.
The Reason for Silence. University of Antioquia Museum; MAAJA Museum; The Charlee Hotel, Medellín.
2014Sculpture garden. Entre Cielos Luxury Wine Hotel & SPA.
Anthological. Legislature of the City of Mendoza.
201320 Sculptures. Finca Agostino Winery.
15 Sculptures. Las Marujitas Olive Farm, Mendoza.
2012Binary Man. Convention Center; ECA San Rafael, Mendoza.
2011Binary Man. Mendoza Museum of Modern Art.
Sculptures. Emiliano Guiñazú Museum – Fader House.
2010Ixoyes. Congress and Exhibition Center; Ficciones Art Space.
Group Exhibitions
Eduardo Sívori Museum, Buenos Aires · Palais de Glace, Buenos Aires · Zurbarán Gallery, Buenos Aires · La Boca 783, Buenos Aires · BASS Auction House, Buenos Aires · AH Fine Art, Medellín · Molina Art Gallery, Medellín · Pop-Up Gallery, Basel
Permanent Collections
2025DORCAM (Doral Contemporary Art Museum), Doral, Miami, FL, USA.
2023Autiq Cars collector car space, Mendoza.
2021Casa El Enemigo y Familia Blanco Winery, Mendoza.
Awards
20141st Mention, Palais de Glace National Salon.
2013Selected, Palais de Glace National Salon.
20121st Mention, Palais de Glace National Salon.
20112nd Forner-Bigatti Prize, Eduardo Sívori Museum.
1st Prize, 60th Anniversary, Emiliano Guiñazú Museum.
20101st Mention, Urban Interventions, Museum of Modern Art, Mendoza.
Publications
Gutiérrez Zaldívar, I. History of art in Mendoza. Zurbarán Ediciones.

Baulo, M. C. (2014). Tachuela. International Sculpture Magazine.

Calderón, A. (2012). The man who loves stones. Diario Los Andes.

Sánchez Hincapié, F. Tachuela, un artista que esculpe la eternidad. Diario El Mundo.

Ariel Toba

Painter — Mendoza · Buenos Aires

Born in Buenos Aires in 1981, Toba graduated from the Colegio Bellas Artes de Mendoza in 2000 and completed his Graphic Design degree at Instituto Superior Nicolás Avellaneda in 2014. He studied realist painting with Carlos Ojam (2000–2003), explored abstract painting and experimental techniques with Martín Villalonga (2010–2014), and has been part of the contemporary art clinic led by Egar Murillo since 2017.

His practice has been further shaped by clinics with Carlos Herrera, Juan Tessi and the Costado Galería team. He lives and works between Mendoza and Buenos Aires.

T
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Statement

Five millimetres every hundred years — that is how long it takes a rock to dissolve. The process is called karst.

If temperature and boiling conditions are maintained from the first minute to the last, and the vessel is kept open at atmospheric pressure, one litre of pure water will take an hour to evaporate. A flower may take four weeks to disintegrate. That is what interests me.

Dissolution. The edge. The instant before it no longer is. To paint the landscape as if it were forgetting itself. The air that holds the shape of something no longer there.

Selected Works
Nº 260114
Nº 260114
120 × 130 cm · Técnica mixta sobre tela
Nº 251213
Nº 251213
190 × 85 cm · Técnica mixta sobre tela
Nº 240229
Nº 240229
170 × 130 cm · Técnica mixta sobre tela
Nº 240901
Nº 240901
120 × 120 cm · Técnica mixta sobre tela · USD 2300
Nº 251115
Nº 251115
175 × 145 cm · Técnica mixta sobre tela
Nº 251006
Nº 251006
130 × 174 cm · Técnica mixta sobre tela
Nº 230318
Nº 230318
60 cm radio · Técnica mixta sobre tela
Selected Exhibitions
2026Represented by Galería Praxis, Buenos Aires.
2025"Geografía del silencio" — Daniela Ramsfelder & Ariel Toba, curated by Lorena del Pilar Guerrero. Lorena del Pilar Art.
2024Group exhibition, Galería Lorena del Pilar Art, Buenos Aires.
2023Group exhibition "Archipiélago, el dibujo y sus derivados". Puro Diseño, Buenos Aires.
2022Solo exhibition, Bodega Santa Julia, Mendoza.
2020Exhibition, ECA Mendoza.
2018"Espacio y vacío", Instituto Cervantes de Tokio. · Salón Vendimia, MOC, La Rioja. · Group exhibition, Mansión Stoppel, Mendoza.
2016Solo exhibition Nº 160521, Hotel Ultra, Buenos Aires.
2015Solo exhibition Nº 151217, Alianza Francesa, Mendoza. · "Abstracciones", Universidad de Palermo, Buenos Aires. · "Extimidades", Proyecto Reencarnaciones, Bodega Monteviejo.
2014Proyecto Reencarnaciones, Bodega Monteviejo. · 'Remix' Arte Cabeza, Espacio Pakidermo. · Espacio Julio Le Parc. · Espacio Killka, Bodega Salentein, Mendoza.
2013Solo exhibition, Park Hyatt Mendoza, Argentina.
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